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A♭6 guitar chord

How to play A♭6 on guitar — the notes A♭, C, E♭, F, a shape you can tap to hear, the keys it lives in, and a progression to hear it in context. Free.

The shape

Tap the diagram to hear A♭6 strummed. A♭6 is played as a barre chord around fret 11: lay a finger across the strings at that fret and build the shape on top. Movable, so the same grip works up and down the neck.

11fr×AbEbAbCFEADGBeopen on the neck

The notes in A♭6

RA♭3C5E♭6F

A major sixth chord is spelled from its root up: A♭ (R), C (3), E♭ (5), F (6). Those are the only notes in A♭6 — play them in any order, in any octave, and it's still A♭6.

What a major sixth chord is

In plain terms, a major 6th adds the sixth to a major chord (root, 3rd, 5th, 6th) — a sweeter, more vintage alternative to the major 7.

How it's used: A soft, finished-sounding tonic: many old standards end on a 6 chord instead of a plain major for a warmer button.

The sound: Warm, nostalgic, breezy — 'sunny vintage'. Where you'll hear it: Jazz standards, swing, surf, and final chords that want to smile.

Hear A♭6 in a progression

A warm I6–IV vamp — that added 6th is the vintage sweetness. Press play, and drag the Key control to move it anywhere.

A♭6 in context

Other A♭ chords

major sixth chords on other roots

Chords and their spellings are shared facts of music theory. Every diagram and sound here is generated by ThunderFret's own engine — no tabs, lyrics or recordings are reproduced.

// There's more

Open A♭6 in the interactive tool to see every place it sits on the neck, hear it, and find the shape that fits your hand — free.

See A♭6 on the fretboard

Frequently asked

What notes are in A♭6?

A♭6 is made of 4 notes: A♭ (the R), C (the 3), E♭ (the 5), F (the 6).

How do you play A♭6 on guitar?

A♭6 is played as a barre chord around fret 11: lay a finger across the strings at that fret and build the shape on top. Movable, so the same grip works up and down the neck.

When would I use A♭6?

Jazz standards, swing, surf, and final chords that want to smile.

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