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Stand By Me — ukulele chords

Play Stand By Me by Ben E. King on ukulele: the chords as tap-to-hear diagrams, the progression you can play and transpose, and the theory behind it — in A major. Free.

Ben E. King · key of A major

The chords

Every chord in Stand By Me, as a tap-to-hear ukulele shape (standard gCEA). The little numeral is its role in A major.

AC#GCEA
I
AC#F#GCEA
vi
ADF#GCEA
IV
G#EBGCEA
V

Hear the progression

The 50s progression that never dies: A–F#m–D–E (I–vi–IV–V). Press play, and drag the Key control to move it to wherever your voice sits.

Stand By Me — the loop

Why it works on ukulele

Four chords over one of the most recognizable slow grooves ever written. A, D and E are easy open shapes; F#m is the one to drill — nail that switch and the whole song is yours.

The theory

This is the 50s doo-wop progression, I–vi–IV–V, in A major. The vi (F#m) softens the opening, the IV (D) lifts, and the V (E) pulls hard back to the A — a perfect little circle of tension and release that's launched a thousand songs.

More ukulele songs

Browse all ukulele chords · ukulele scales

Educational analysis only. We don't reproduce lyrics, melodies, sheet music or recordings — chord progressions, keys and scales are shared facts of music theory. Song and artist names are used for identification and commentary; ThunderFret is not affiliated with or endorsed by any artist.

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Switch the tool to ukulele to see these shapes across the neck, hear them, and jam the progression with a band. Free.

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Frequently asked

What are the ukulele chords for Stand By Me?

Stand By Me uses A, F♯m, D, E, in the key of A major. The 50s progression that never dies: A–F#m–D–E (I–vi–IV–V).

Is Stand By Me easy to play on ukulele?

Four chords over one of the most recognizable slow grooves ever written. A, D and E are easy open shapes; F#m is the one to drill — nail that switch and the whole song is yours.

What key is Stand By Me in?

A major. This is the 50s doo-wop progression, I–vi–IV–V, in A major. The vi (F#m) softens the opening, the IV (D) lifts, and the V (E) pulls hard back to the A — a perfect little circle of tension and release that's launched a thousand songs.

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