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Theory / Let It Be

Let It Be

Let It Be is pure C major and the four-chord pop backbone — plus one churchy trick at the end of each line. Here's the theory.

The BeatlesRock· Key: C majorTheory analysis
How to find the key: Pure C major — every chord is from the C scale and it resolves home to C. A textbook I–V–vi–IV song.

The chords & what each one does

Chords labelled with their Roman numeral(the chord's role in the key) and its job. Numbers, not letters — so you can move the whole thing to any key.

Verse
IChomeVGtensionviAmthe dipIVFliftIChomeVGtensionIVFthe “amen”IChome
Chorus (“let it be”)
viAmdipVGtensionIVFliftIChome

Why it works

Let It Be is built on the I–V–vi–IV backbone (C–G–Am–F) — the same four chords behind a huge share of pop.

Listen for the F → C at the end of each line: that's a plagal (“amen”) cadence, the gospel/hymn sound that gives the song its churchy comfort.

Because it's all diatonic and slow, it's a perfect song for hearing chord function in action — home (C), away (F, G), and the emotional vi (Am).

Hear it & see it on the fretboard

Open the interactive tool and its Learn a Song tab to hear these chords, watch them light up on the neck, and play the progression in time. Want to check a key by ear? Try the key finder, and brush up on chord progressions.

More song breakdowns

Educational analysis only. We don't reproduce lyrics, sheet music or recordings — chord progressions, keys and scales are shared facts of music theory. Song and artist names are used for identification and commentary; ThunderFret is not affiliated with or endorsed by any artist.

// See it, hear it

Reading only gets you so far — open the interactive fretboard and watch these ideas light up on guitar and piano.

Enter the tool

Frequently asked

What key is Let It Be in?

C major. Every chord comes from the C major scale and the song resolves to C.

What chords are in Let It Be?

Four: C (I), G (V), Am (vi) and F (IV) — the classic I–V–vi–IV progression.

What is the 'amen' sound at the end of the lines?

It's a plagal cadence — the IV chord (F) moving to the I chord (C), the same 'a-men' motion sung at the end of hymns.

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